the close of the disco-era was far from the end of patrick adams career. in the 1980s he would lend his creative genius to such notable acts as salt n pepa, keith sweat and carol lynn townes. in the 1990s he helmed recordings by eric b. & rakim, paul lekakis and morris day. but the focus here is on the years he spent with peter brown and p&p. years where he was at his creative zenith as an arranger, composer, and performer. this is patrick adams >best of p&p records<.

young marco made a big impression to a new lot of listeners at the beginning of 2012 with his esp institute debut, nonono / darwin in bahia (played by dixon and james murphy amongst others). the young man from amsterdam now returns with a sister 12inch to his nonono, a perfectly complimentary piece of wax that maintains his esoteric stance on house music, and proves that hes no one-trick pony. video days blends marcos signature analog synth work with tribal rhythms and a loose sense of narrative, while the flipside later than u think takes a more cheeky approach, pairing a blissfully stabbing core melody with a mousey counter-melody and setting it all over some huge tom-heavy drum programming. these songs are the perfect close to a beautiful summer, whether youre lost in euphoria as the sun comes up, or simply dancing around your kitchen in the nude.

the second of two eps from talented californian newcomer, tyler friedman, has now arrived. a night in the woods ep starts of as a murky rhythmic experiment. when released of its bound, it transforms into a hailstorm of sound that builds in melodic intensity towards a final climax. this is scenic and brave electronic dancemusic that over and over again will capture the focused listener. on the b-side rivet for sure push tyler towards berghain. but now the tool is somewhat different. rivet transforms the cinematic original into a very dirty and dry party stomper.

over the last three years move d has become a regular fixture at the electric minds parties. not only is he a highly skilled dj his productions are timeless and his extensive catalogue is testament to this.

4th release by 12records, presenting the new deep88 >removing dust< ep (taken from the forthcoming >removing dust< album that will be released later on this year). main single is a2 >the vibe<, a classic 90s beat made over a real melody, where vocals parts crossover and match each others, in two differents peaks, to create a whole >vibe< flow from the start till the end of the song. a1 is a test signal experiment, where samples take a different level, a sort of meta sample, a sample into a sample… well, have a listen, its easier to understand that way. bside is 3 tracks long, not a common practice in todays ep releases. b1 >grancartridge<, a moodymann house style raw song, b2 is even more raw sampling style, meanwhile b3 is a dreamy vocal house tune more common to deep88s style. the result is a mature ep, that ntroduces the 2nd deep88 album, always on 12records, and that will bring him into that >serious< realm of making house that is seen in some elite today (funny isn’t it… at the end it is just about music and we all have ears… maybe)... btw less marketing on our head, this 12inch wont be a coloured or hand written limited release, just the good old classic black one (yes it sounds better folks) and no limited copies… when is close to finish we will repress as usual.

downtown party network from lithuania have been behind some serious releases and remixes over the last few years. combining disco influences with a knack for crafting weighty and warm deep house of the highest order… for their iib debut they have produced a duo of dreamy, melodic and irresistable vocal house gems which stand tall in their own right. as ever, the iib team have drafted in some seriously heavyweight remixers. veteran uk producer richard norris aka the time & space machine has delivered a truly superb rework of >the returning<. bringing the live elements of the track to the fore and unleashing a dazzling eyes closed on the dancefloor moment, and a bit of a classic in our humble opinion! finally scandanavian disco legend prins thomas takes on the same track and transforms it into an epic, spacious mix, underpinned by a widescreen acid bass and relentless, building groove.

project e is mark es first collaboration since his good times release on prins thomas internasjonal label some 4 years ago with >dragon<. this time mark teams up with keyboardist nat woodcock. the result of this can be heard on the megacity ep.
a 3 track 12 inch combining the influences from both producers ranging through 80s synth pop, classical avant garde, italo disco & detroit techno. a departure from previous merc releases which have relied on sample heavy driven deep house, project e holds tight to the deep house direction but takes it into strange cosmic territory. the megacity ep is the first in a series of releases due over the coming months.

catching the last rays of summer! here comes a sun drenched piece of music from tobias linden & riccardo rizza, just in time for closing parties all over. the boys hung out in tobias stockholm studio after a gig together and in a couple of days the song came about. writing was like one fluid motion they say, listen and we think you will feel the energy flow effortlessly quality sunshine music!

heartfelt records continues to cement its emphasis on deep and hypnotic bass music with the second instalment of the disgu!se remixes series. this time round we find consequence, hot off the tails of his tempa release, unleashing an atmospheric and tribal take on disgu!ses sultry >inside out of love<. part soundtrack, part techno, all good – this will have you going back for more time and time again. over on the aa disgu!se rework their song >hourglass< into the lush and emotive fashionably late mix which moves gracefully all the way to the run out groove, making this another solid 12 inch with the punter well and truly in mind. the original versions will be available on disgu!ses debut album, coming soon. limited to 300 copies. hand stamped and stickered with 2 alternative stamps.

nice price deal !!! human nature is the new offering from mark gilbert of stupid human edit notoriety, this label will be concentrating his artistic musical endeavours of the eclectic kind and it doesnt fail to disappoint, first up is turn me on a rich tapestry of brooding synths that captures and draws you into world of lust and sexual wonderment. over on the flip is searching a beautiful deep sunshine groove with killer jazzy chords and boogie synth bass impressive stuff indeed.

lakosa & io are third to grace the madtech roster with their dancefloor banger home early, which features remixes by west norwood cassette library and the 17 year old exceptionally talented experimental grime producer pedro 123. home early is a punchy house track weighted by bass and marching with the suave speed of 4/4 house. its sultry vocals and samples tease the determined beat that drops in and out developing a bold breakdown. the track sits nicely between house and uk bass, giving it the flexibility to sit within an array of styles in future sets and mixes. west norwood cassette librarys remix gives the original a disco tinge with the use of strings and vintage sounding samples. the vocal is scrunched and ricochets neatly off the carefully placed beats and samples. the pedro 123 remix gives the original a smack of grime and a refreshing sound. pedro stretches the vocal into a smooth echo that drifts over the top of his clipped punching bass line. a grime-tinged wobble and a bassy beat resonates beneath pedros impeccable percussive production.

one of the most anticipated comebacks on local talk is finally here! their debut on local talk >moody< caused a big stir on the house charts and made the #01 at traxsource deep house 100 and still gets praise from djs all over the globe including karizma, steve bug, joey negro, the revenge and kerri chandler. the dynamic duo is now back with a even stronger ep doing what they do best, delivering two stunning vocal house tracks. the reaction mad mats & tooli got when they heard >trapped!< was unanimous -­- tune alert! using a colonel abrams acapella from 1985 and fusing it with a jacking track that retains the spirit of the dirtytwo sound & can only cause one thing, dancefloor mayhem. on the flip is >i m feelin< - a slighty more modern house burner that features old friend and pre dirtytwo fame spanka! vocalist frosche.

a best off all new things on the everpopular phobiq imprint by sasha carassi. the mechanized warfare of void opens up the release, with industrial snares taking front and center. meanwhile, the steamrolling groove never lets up and bleeding stabs lead the way to a subliminal riff that grows and mutates.the original mix of z-nasti makes strong use of ghostly chords while sonars fire away over tightly programmed drums.

after 2 years of squabbling over who does the washing up and various teabag shortages in the kitchen, luke and milla decided to take their arguments into the studio. milla comes from an indie and scando-pop listening background with luke being a full on house and techno chin stroker. they love to experiment and record lots of different sounds for their compositions, be it 5 guys in the garden shed bashing bin lids together, screwing up plastic bags or sweeping the floor, if it makes a sound, it makes music. together they have created a spacey and melancholic two tracker abundant with love and emotion. >disappearing stars< comes with a matthew burton and kate rathod remix and the >its just us< remix has luke and matthew behind the wheel taking it down to china town.

butane continues to push his sound well beyond the frontiers of trendy dance music with >we are all cyborgs now<, his latest tour-de-force on his own alphahouse records imprint. apparently not interested in assimilation for the sake of popularity, he rather blazes his own wide-cut path towards artistry with two future-techno cuts rife with pointed commentary on the nature of todays dance music scene. >everybodys talkin< is a mutant hybrid of styles for the nostalgic types. latin percussion and bin-busting bass mingle with an ethereal voice lamenting the passing of the good old days. throw in one utterly twisted xylophone note that might just send a few partygoers over the edge for good, and you have an open air after-hours anthem in the making. >hey hipster< is a not-so-subtle jab at the newjack hipsters of the dance world who seem content to recycle old ideas, as long as they think they look cool doing it. deceptively simple, but carrying a heavy hook, the track features a grooving bassline, speaker busting synth stabs, and a brooding male voice admonishing these party parasites for their shallow ways. listen up kids, this is the sound of the underground. dont be fooled, this kind of music is best heard in big dark clubs where mirrors arent there for checking out your trendy haircut.

a superb collection of jimmy page tracks from 1968-1970 on picture disc vinyl.

sccucci manucci once again proves its dancefloor chops with its fifth release, the cinquemila lire ep, which sees the london based imprint curl its moustache in the direction of deep house. manchester based duo toyboy & robin open proceedings with >no more sunshine<, an insouciant mix of soulful vocals, shuffling garage percussion and burning deep house organ stabs. it is a heady, intoxicating mix, and it is one that is matched on the a-side by sahin meyers effort, the husband and wife duo turn in the gorgeous >spread love<, a cut that wrings every last drop of emotion out of a classic, drummy arrangement. flip over for >saif< by illyus, a twinkling late night excursion into melodic, star gazing house, and >feel love< by firas, one half of the waze & odyssey, who rounds off another killer sccucci 12-inch with raw-thentic smacky beats and an addictive loopy vocal and bassline.

breaks and hip-hop producer ninelives the cat comes through with this nagging slice of solid production and catchy vocals in the form of >lalala<. the chorus hook will claw into your head like the feline in control, while the choppy funk licks that make up the beat will find a comfortable home on dancefloors all over. on the remix tip, funkanomics bring an uptempo 80s flavour with filtered guitars and brash drum machine beats, while dj alias does a more subtle turn in tightening up the groove of the original. will styles rounds things off with an electro-indebted workout full of chunky synths and club-ready construction.

addictive synths over playful bass lines and a composition of melodies that make this track undoubtedly catchy.

already heard many a time in ibiza over the summer, this jerky piano workout had been getting steady support from such diverse names as axel boman, dyed soundorom, sven vath and kerri chandler.

over the past few years, while many on the planet have been searching for meaning amongst the chaos, aussie nu-disco/electro duo philosophy of sound have found their footing in music, steadily building a following for their own brand of conscious electronic music. get yourself ready for their hotly anticipated >fragile disco< ep, which comes pressed on transparent red vinyl and includes a code for free mp3 download of this release.
if you like electronic music with brains, get amongst this.

micatone come off with a true masterpiece of sophisticated pop with their new and fifth album >wish i was here< (released in march 2012). not only the music press and feuilletons but also old devoted and newly found fans agree: micatone never sounded better before. the second offspring off the album is a 2-tracker with two very special remixes. label mate stee downes takes on >sweet pain< as if it was his own track and kicks out a vivacious deep house stormer. there is no doubt that this remix will be in every bag of those djs that put some more emotions on the floor. the second remix was orderd in italy - in bologna to be exact. keemani and alex ferratti just started their new project blue mondays and now – with their rework of >just a boy< – promisingly launch their career to become the next in-demand remixers. they dont just lay a vocal track over a pre-programed beat, but use all of their devotion, accuracy and finesse to turn an already astonishing pop song into an anthem for everlasting nights. it is like preparing the perfect sugo: simmer exquisite ingedients for days until your mouth is watering. perfetto!

for over eleven minutes jonsson & alter extracts bass sounds and gliding tonal textures of the originals and takes us on a deep and very trippy journey into taxi driver territory. suitable the remix is called tylerss dream. and we just love it.

groove heavy synth funk reminiscent of dmx krew and dreamy string- laden rhythms suggestive of standout tracks on carl craigs >more songs about food and revolutionary art< occupy side a. the flip side is filled with deeper dance floor friendly tracks sonically reminiscentof the transmat catalog along with an injection of uptempo tech-house swing elements evocative of akufens >skidoos<.
recorded in the winter of 2011 in metro detroit, >more than a marathon< marks the debut release for super public. predominantly re- corded with analog hardware, the ep has an innate familiarity while still maintaining a focus on the 2012 marketplace. rudi thornburgh has been independently producing electronic music for over 10 years under various names but, most notably, clocklife. brett cimbalik has been playing jazz guitar for the better part of his music career and has transferred his chordal knowledge to synth guitar and electronic production. together, they form a sound reminiscent of the golden days of detroit techno while still exploring new terrain and bridging new ideas.

it is about time the exaltics and koova appeared on abstract forms, and part three, the next instalment of the combined series, is the perfect vehicle for the pair to showcase their talent. the exaltics deliver a stealthy blow of three typically wonderful works, ranging from the menacing tension of >cold lights<, to the dark acid-techno of >with the lights out<, to the restrained electro shuffle of >the last resort<. flip over to where koova operates, taking us on a journey from the deep atmospheres of >shift register<, to the mechanical electro rhythms of >rtfm< and ending the ep with the wonderful clinical execution of >flux tube<. superb.

radio slave decides to join in the fun with his first release on rekids in over a year entitled >live edits<, and what a killer release it is.

just over a year ago, in july 2011, harmless records released their first installment in their new mixology series, releasing mixology-the definitive salsoul mixes. this triple album featured thirty-one tracks from discos premier label, salsoul. now the mixology series will return on 20th august 2012, with harmless records turning their attention to another of disco’s most important labels sam records.

after some silence on credo due to the fact that alex was pretty busy with productions and numerous remixes for other labels, he kills it totally now with this outstanding twotracker. theory of noise delivers two unique technotracks and especially noise b shakes it down in sets all over with its remarkable groovepattern und heavy as well as warm bass structure. this is the adequate follow up on the black series of the label after the outstanding and regurarly repressed >dark summer nights< that came out two years go. alex in top-shape, grab it!

ok so heres the last installment in the creme jak series. we feel there s not much to add to this concept and over the past few years this kinda musick has found the foothold it lacked when we started this lil enterprise in the heydayz of beige vanilla minimal. in any case it seems fitting to go full circle and draw the curtains with an epic disco anthem that might not be jak perse, but at least coulda woulda shoulda been caned back in the dizzies in all the places that mattered ese! you see, house is a feeling and blablabla.. so here s a final one up your purist backsides as this mystery strap-on crew cuts and tape edits its way through a molten bucket of swiss cheese and ends up with a dead hooker in the trunk in the process. limited 250 copies sticker ish. no repress, no digital, this is the end..

alps! they need somebody. alps! not just anybody.
aiming for the toppermost of the poppermost, sic and the gang wave their mangled wand — and lo! the hits just keep on a-comin. self-titled just its just their selves. this could be the album of the year — doesnt matter what year you are reading this either. sic alppeal is eternal.

polluted records latest release comes from label engineers lorenzo panico and label producer salvo buonocore who delivers their original and creative sounds with pineapple express. constructed with flowing percussions and processed with an addictive baseline and intelligent vocals, the record is a culturally musical project to djs across the globe. over on the flip side there are 3 remixes of pineapple express. the track is edited for remix treatment by: system of survival, big brother loves you production (leo mas, fabrice, edo b) and w10 (sergio liguori).

over the course of a year, keith fullerton whitman performed a piece of live electronic music a few dozen times entitled >generator<. the debut was given in san francisco at root stratas on land festival at cafe du nord on september 19th, 2009 … over the months that followed stagings took place in venues ranging from flooded basements to festival stages in baltimore, boston, brooklyn, chicago, easthampton, iowa city, jamaica plain, northampton, raleigh, saint louis, san francisco, somerville, & washington d.c.
this lp covers the final two performances of the piece over two consecutive evenings , the opening solo set from the final night of high zero festival in baltimore at the theater project, september 26th, 2010, then the performance during the for eliane night of the propensity of sound festival dedicated to eliane radigues work at issue project room, brooklyn, september 27th, 2010. these recordings show the piece in two different iterations, taking two different trajectories entirely. they are considered as the definitive versions of the piece.

following on from torquato and boghosians acclaimed debut on yoruba is this, a selection of remixes diverse and interesting enough to do justice to the original lp, which received praise for the rich tapestry of musical sources it drew influence from. first up, afefe iku delivers a much deeper, weightier version of paradice laden with heavy synth stabs and woody percussive elements. aybee takes when u touch me - probably the standout club track on the original lp – into much deeper realms, stripping back the original groove . its remarkably simple but flawlessly executed, the chord motif working effortlessly alongside the crisp hats. atone tackles zulu girl and in the process unravels a much more mechanical track, a massive mid-tempo thud dominating over delayed cymbal crashes and ghostly vocals. overall - a darker vibe and a truly timeless collection of remixes.

accidental records is set to release a new ep from dave aju on 12 inch vinyl. the san francisco based producer who has released multiple eps and albums on cult dance label circus company and has remixed some of the most sought after tracks such as nicolas jaars >space is only noise<, is about to release his first ep on matthew herberts accidental records.
for over a decade the us west coast innovator has been producing and performing his unique brand of electronic dance music. he seasons the rhythms of house and techno with an array of outside musical influences - notably jazz and p-funk, a low-slung aesthetic clearly rooted in hip-hop, and a sonic approach akin to music concrete. the result is a fresh and expressive sound that varies from raw and percussive to deep and melodic and is favored by an ever-increasing number of listeners, dancers and djs around the world.

nice price deal !!! here comes a record that shouldnt have been released in the first place. who first started to circulate the cd-r with the blue inscription waiting for kim / we get high is totally unknown. the more known though, is who has been playing these two tracks, the one subtly uplifting, the other cranky dark, over the last few months. its still an unsolved riddle who is responsible for those two very divergent (but obviously coming from a single source productions. the fact that now these two tracks are coming out as a white label doesnt shed any more light on the affair either. but will please the dj and club world nonetheless.

over the past few years, the big bad and heavy series has become synonymous with the biggest dancefloor tracks around. after big bad and heavy part 3 packed together a quality laden mix of aggressive to soulful tracks from some of the scenes brightest talents, chronic now brings big bad and heavy part 3 xtra.

it is with great pleasure that murder construct announce the release of their debut full-length, results. following hot on the heels of their ep, the album is faster, more varied and definitely full of surprises.

synonymous with detroit, techno, and tresor, scan 7 have remained protagonists of the berlin-detroit axis since it was first forged in the sweaty obsidian of the clubs original wertheim vault home. now, over 20 years later, the masked techno collective pay tribute to the triptychs matted histories on >the resistance ep<.

the musical impresarios over at visionquest hq have dropped a little taster of whats to come on merveille & crosson s forthcoming album, with a vinyl-only sampler entitled drm pt 2. this follow up to last years rapturous drm pt 1, further extendsthe duo’s experiments into twisted dance floor jazz and lush ambient soundscapes.

new danish label. first release with upcoming artist samuel andre madsen. 140 gram vinyl - no repress.

of course the boys are back! dave jarvis and diesel float another two killers out there for the more discerning dancefloors.
first up is nite dance were are dynamic duo flip their wigs and slice and dice a giorgio moroder classic. dark, sleazy and downright dirty and the right amount of piano for the balearic faithful!
ce soir is a go go styled percussion funk monster with a female euro vocal that just pulls you in. from saint - tropez to the dark back streets of dalston this has classic written all over it.
this man is one of touchstones of the cosmic adriatic scene championed by the likes of italian dance legend daniele baldelli from back in the day. resurrected and flipped for a new audience. light my soul!

(villa / the living islands / chordashian rmxs) special gloss cover! over the past year blende has remixed the likes of lana del rey, pnau, korn, lana del rey & skrillex. now he makes his debut on eskimo with this slice of 2012 disco heaven.

michael ozone, the character whos just dropped his debut offering for the esp institute this july, is back with a remixed version of his jungle-tuff >perfect systems ep<. on side a, steve summers (a name thats been up in your face over the last year, and one of the key figures in our cousins l.i.e.s. camp) has taken perfect systems for an imperfect ride, jacking it up as expected while keeping the somewhat sinister mood of the original. on the flip, young marco (who has become quite a resident at the esp institute) strips down hetrotopia to its core, letting you realize how a well-programmed track can maintain its melodic and hypnotic sense, even when all thats left is percussion.

continuing their reign over deep and technical drum and bass sets everywhere, the inimitable spinline are back with a pair of incredible remixes from two of the scenes most wanted individuals. from the drum and bass extremes of tar-black bass and granite-heavy rhythms, both clarity and stray have brought the goods for this release. but what did you expect?

still reeling from the release of their critically acclaimed self-titled debut lp, django django are pleased to announce their new single >hail bop<. album opener and firm live favourite, hail bop sums up everything that makes this band so special. remixes coming from daniel avery, jealov and bullion.
code for free mp3 download of this release included.

for the 10th release on kd music we present you the last kaiserdisco ep of year. the boys have already started to work on their 2nd album which will be out 2013. around on the a side is a groovy tech-house track full of rolling beats, percussions, a strong bassline and a catchy vocal break! on the b side you get a hell of a techno track, the one you love the kaisers for! state to state is already played by carl cox over the last 6 months and its one of his main weapons a space ibiza this summer! …and its first on vinyl! supported by dj sneak, paco osuna, adam beyer, luciano, gary beck, marc romboy, florian meindl, joseph capriati, christian smith, popof, riva starr, bart skils, maetrik, karotte, gregor tresher, dj madskillz, nicole moudaber, hollen, monika kruse ...

ltd 2012 repress !! rekids proudly presents nina kravizs hotly anticipated second release on the label after the massive success of >pain in the ass / im gonna get you<. nina is the current talk of the town, with club promoters all over the world fighting to book her. her tracks are engineered by tobias freund, known for his work with nsi and ricardo villalobos. >i m week< is a brooding deep house track that has received great feedback from ninas recent live shows. >tanya< is hypnotic head-tripping techno at its best.